Bankrate: You've done some historic work. On your Web site, it says that you did the trailer for "Godfather Part II."
Don LaFontaine: I had
my own independent company and the first picture I was assigned was "Godfather
Part II." That inaugurated my short-lived company. Bankrate:
So you handled the production and supplied the voice? Don
LaFontaine: Yeah, I wrote it, produced it, had a big hand in the cutting
of it, and did the narration. Bankrate:
What are some of the more notable and classic films you've voiced the trailers
for? Don LaFontaine: Oh, boy. The
re-release of "West Side Story." The "Terminator" movies, except for the last
one. A lot of the Rambo films. "Fatal Attraction," "A River Runs Through It,"
"The Crying Game." The original Batman pictures. "The Elephant Man." It's hard
to remember because there are so many of them. Bankrate:
How has the way trailers are designed changed over the years? Don
LaFontaine: They've grown along with the changes in films themselves. Obviously,
the advent of CGI, or Computer Generated Imagery -- which generally refers to
the computer graphics used to create special effects in films -- has made a huge
impact on trailers. But what has also happened is that trailers themselves have
had a huge impact on the film industry, because they started to cut the films
in the same fast, snappy style as the trailers. Bankrate:
How big an impact do you think the trailer has on the movie's box office? Don
LaFontaine: I think it's huge, absolutely huge, and I think that's amplified
by the fact that when you go to a film and you see the starting time is 7:30,
you know what's happening at 7:30. That's the start of the trailers. The film
will start maybe 10 minutes later. When you go to a film, all the seats that are
going to be filled are filled by the time the first trailer rolls. That's because
people want to see the trailer, they anticipate that. That's why trailers have
had such a huge impact. Bankrate:
Would it be a logical stretch, then, to say that your voice plays a major role
in the success of certain films? Don
LaFontaine: Mine or whoever's narrating it, certainly. We're part of the
overall package. To consider ourselves to be the most important part is ridiculous.
We're simply a companion piece, a sort of a guide, along with the music, the picture
itself, the sound effects, the dialogue and everything else. Our part is important
in that if it's not truthful, if there's no veracity in the delivery, it can hurt
a trailer. If you have a terrific picture but the narration is kind of flat or
not believable, it diminishes it, certainly. Bankrate:
How do you prepare to do a voice-over? Don
LaFontaine: I really don't. The script tells me how it wants to be read.
It's always been that way. I have a relationship with written words that I think
is very special. Since I was a kid, I've always loved to read, I've always loved
the music of the language. When I see a script, it literally tells me where to
pitch my voice, the pace at which to speak and what words to give weight to. It's
an absolutely natural thing to me. There's no preparation at all. |