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Start the presses! A guide
to creating your first print ad
By Jay
MacDonald Bankrate.com
They
are all around us. Each of us is an expert in them. Even your youngest
child would be considered a foremost authority on the subject by
the rest of the world.
What's our specialty? The advertisement, of
course.
As Americans, we wallow in them, sunup to sundown.
As the world's No. 1 consumer culture, we are the unrivaled authority
on the hard sell, the soft pitch, the come-on and the last-chance-going-fast-super-low-markdown.
Ads? Oh, we know ads.
So why can't we write one?
Every small-business owner must one day face
the Great White -- that blank sheet of paper that must somehow become
your first print ad. Suddenly, all those years of subconsciously
studying ads as a consumer amount to zip as you try to figure out
how to pitch your company to an audience as media-savvy as yourself.
Don't freak out. This isn't rocket science.
But there is a logical evolution to developing your first ad and
there are plenty of tricks to help you come up with the visceral
punch you'll need to get noticed.
Start with a plan
Just as your business began with a plan, so should your advertising.
Actually, in an ideal world, advertising would be part of your overall
marketing
plan, which would encompass every means by which you plan to
market and promote your company, from skywriters and news releases
to free balloons. Here, though, we'll focus just on the print advertising
portion.
Like a business plan, your advertising plan
forces you to make clear, tough choices. Before you can advertise
effectively, you must answer these questions:
Who are my customers -- the target market
for my advertising?
Who do I hope to be to them?
How can I best reach them with my message?
Clearly, to have much of a chance out there,
you need to find your market niche, either an under-served market
for your product or something you do better than anyone else. Got
it? Good. Because from here on out, the name of the game is focus,
focus and focus.
"The purpose of focus is that you turn down
what isn't your business," says Don Hobbs, a partner in Hobbs/Herder
Advertising, which specializes in marketing seminars and materials
for the real estate industry. "A neurosurgeon doesn't deliver babies.
A corporate lawyer doesn't handle divorces because he needs the
money."
An advertising plan acts to keep you on course
-- your course, not somebody else's.
"In a normal business, every week some guy
comes in with a coupon plan for $500," says Hobbs. "Without a plan
to show where you are going, what you are going to do and what you
aren't going to do, how do you know if this guy's idea fits? When
you don't have a plan, everything seems like a neat idea. You fall
victim to the plan of the week."
Where to advertise
Now that you've got your direction, deciding where to advertise
becomes easier.
"Who you advertise to will dictate how you
advertise and where you advertise," says Hobbs. "It becomes, 'What
do I want to be and to whom do I want to be that?'"
At this point, focus in on the print publications
your audience reads: daily and weekly newspapers, monthly magazines,
and specialty publications. To get the biggest bang for your buck,
in most cases you'll steer away from classified ads, which are sold
by box, line or inch in the classified section, and toward display
ads, which are sold in box form from full page to quarter-page and
smaller (for instance, a three-by-five display ad would be a box
across three columns, five inches deep).
Determine whether the daily newspaper, magazines,
specialty publications or a mix of all three will best reach your
target audience. Then place your ad in the specific sections they
read; in the newspaper, men tend toward the sports section, women
the food section, for instance. As far as placement, the top right-hand
corner is considered prime. And yes, it's OK to request placement;
most publications, however, won't guarantee it. Some charge a premium
for placement. But by all means avoid the crowd.
"You've got to get away from where everybody
else in your industry is advertising," says Hobbs. "Where is everybody?
Good -- let's not be there."
When it comes to ad "buys," frequency is all-important.
"Frequency is huge," says Hobbs. "You've got
almost no chance of memory retention. Everybody thinks that once
a month is a lot, but you need to be there once every 10 days. But
there are tricks. If a newspaper has a weekly food section and I
own a kitchen store, I can advertise there once a week and 'be'
there every day from that consumer's point of view because I'm in
that section every time they open it."
Make me read your ad
Ready to write that ad? Great. But first, let's look at how most
print ads are designed.
"The headline is the ad for your ad," says
Hobbs. "It has to stop people dead in their tracks. If it doesn't,
you've failed."
Need a little inspiration? "The best headlines
in the world are in the worst publications, the tabloids," he adds.
Of course if your market is the uptown crowd, you'll need something
a little more refined.
Then there is the body copy or text. Here,
your opening line is key. Draw the reader in with engaging, lively,
punchy writing, but keep it flowing in story format, as bullets
tend to act as stop signs for the reader and break the spell you
hope to weave.
If you want to use a photo, make sure it has
the same stopping power as a headline. Photos that are unique draw
attention; cliched or overused photos -- a lawyer seated at a desk
-- are a waste of valuable ad space.
Then there's the offer -- your two-for-one,
your 25 percent discount, etc. -- and your contact information.
Rules here: Make your offer clear and easily understood,
and keep your contact information short: address, Web URL and one
phone number, not six.
If a further jump-start is required, head to
your local library and see how others in your business present themselves
in newspapers, regional magazines and specialty publications around
the country. Hobbs says there is a legitimate reason to study ads
in your own market.
"You may want to do that to avoid repeating
what somebody has already done well. You don't want to be the second
person in that position," he says.
Consider hiring a pro
Depending upon your business, your market and your resources, you
may want to explore hiring an advertising or marketing agency to
work with you. Why? They're specialists, for one thing. They've
been through this a hundred times, they know the market demographics,
the best media buys and generally what works. They can also help
you monitor the success of your ads and make the proper adjustments
to your message or media mix to correct missteps.
"You've got a CPA doing your financial work,
an attorney doing your legal work, and then you're going to do all
your marketing stuff yourself without knowing a thing about it?"
asks Hobbs. "How effective will that be? Did you save money or did
you waste every dime of what you spent?"
Hobbs, admittedly a zealot on the subject,
insists it just makes good business sense to hire a pro.
"When Realtors say they don't have the money
to spend with an ad agency, I tell them they don't have the money
not to spend. You don't have any money to waste. If you had an unlimited
budget, you could try this, try that, see what works, see what doesn't.
You don't have that option! You can't afford to have a mistake.
A mistake is all that you've got between you and disaster. How long
do you have before you're out of business?"
Jay MacDonald
is a contributing editor based in Florida
--Posted: Oct. 16, 2000
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