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Fame & Fortune: Donovan, the Hurdy-Gurdy man
Record money comes and goes but songs live on forever
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Bankrate: Were your parents musical?

Donovan: My father didn't sing, but my mother sang, as all Irish gals sing. But I didn't get taught music growing up.

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Bankrate: Do you remember your first guitar?

Donovan: Guitar was not my first instrument; it was drums. I fancied myself as Art Blakely or Gene Krupa, a jazz guy. I played drums for a bit. My pal Mick Sharman strummed guitar and I played wire brushes on a snare and our friend 'Dippy' Gale played sax. We were sort of a little band there for a while, but then when I traveled, I had my sights set on playing guitar straightaway. My first guitar was a classical that had been converted to steel strings. That was difficult, a hard one to play. The guitar that I used on the first recordings was an old Zenith. It looked like the old blues ones with the F hole in it.

Bankrate: Did you hit the road with the intention of making it in music?

Donovan: Well, at first Gypsy and I just hitchhiked away with no thoughts of tomorrow. He told fortunes, and I would sing songs, so a sandwich and a cup of tea was all one needed. But to make it? It wasn't so much to make it as to want to communicate. You may say we bring these intentions with us from previous lives if you're a Buddhist or a Celt or you believe that you come fully prepared to follow a vocation. And vocation, of course, is an interesting word: voc, vocal, vox, the vocal, the call. I listened to it, and I followed it. Nobody knew how successful it would be. I just knew I needed to be a communicator and be part of this voice that was coming out of bohemia, out of the beat bars and poetry circles.

Bankrate: How did you survive financially?

Donovan: I washed dishes for a bit, to be honest. I bused for a little bit, but only really to pick up girls and get them to buy me a cup of tea and a sandwich. Really, it sounds like destitution, but it was living the gypsy life. There was always something to eat.

Bankrate: Thanks to the success of "Ready Steady Go!" you never had to work your way up through the club circuit?

Donovan: No, I never went through a struggling phase as a professional musician like The Beatles did in Hamburg or Brian Jones and The Stones did in the clubs. I didn't work for years and years doing three shows a night; it all happened immediately on television. In 1964 that brand-new television show, and television in general across the Western world, was now in everybody's living room. I was a television star overnight before I made a record.

 
 
Next: "... we brought to the West something very powerful."
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